31 1/2 x 38 5/8" (80 x 98 cm). The colors in this work are derived from Popova's rediscovery of Russian folk art and icon painting, setting it apart from the abstract experiments happening concurrently in Western Europe at this time. Cubism. Her frequent travel outside of Russia also introduced her to Italian Futurism, and together these styles heavily influence her work pre-Russian Revolution. Modern art. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. The painting is important in the way it brings Cubist painting to life, and resituates possibilities for the meeting of figurative, still life, and abstract painting all within one picture plane. The canvas feels busy and crowded, as though the shapes are intersecting and jostling to be at the front of the painting. 3 / Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. This is one of a series of paintings Popova made in 1916. She designed stage sets, publication covers, and textiles, and her work is instantly recognizable as emblematic of the (albeit brief) revolutionary hope and fervor of Russian art at the time. Born in 1889 in Ivanovskoe near Moscow to a wealthy family of textile merchant and art patron. All Rights Reserved, Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Lyubov Popova, Olga Rozanova, Varvara Stepanova and Nadezhda Udaltsova, Rodchenko and Popova: Defining Constructivism, The Russian Experiment in Art, 1863 - 1922, Modern Classics 100 Artists' Manifestos: From The Futurists To The Stuckists (Penguin Modern Classics), Remarkable Russian Women in Pictures, Prose and Poetry, The Artist as Producer: Russian Constructivism in Revolution, The Cambridge Companion to Modern Russian Culture, Lyubov Popova: From Painting to Textile Design, Untitled, from Six Prints (c. 1917 - 1919). Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. View Lyubov Popova’s 188 artworks on artnet. Developing on Popova's Cubo-Futurist style of the early 1910s mixed with Malevich's influence, the print demonstrates her distinctive artistic evolution, both in theory and practice. Popova's early works can be seen as a conjunction of Cubism and Futurism; movements and ideas she collected on her travels. Using pure shapes and geometry, Popova illustrates physical and spatial dynamism. While evidence of the artist's hand remains, there is a lessening of paint on the surface, and a more balanced and ordered composition, which mirrored the desire for an efficient, egalitarian, and equal industrial workforce post Revolution. The painterly edges and use of shading verify that the work was created by a human rather than a machine. 2 1923 Liubov Popova Long Live the Dictatorship of the Proletariat! Find more prominent pieces of portrait at Wikiart.org – best visual art database. Using the bright colors of Russian icon art, Popova adds a painterly dimension with the visible brushstrokes and white edges in the foremost shapes. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. She was also a rarity in the highly masculine world of Soviet art. Lyubov Popova (1889-1924) is a Russian avant-garde artist famous for her Cubo-Futuristic, Suprematist, and Constructivist works. Prior to the Revolution in 1917, Liubov was one of the most important Russian artists who came to maturity. 70% off! Liubov’s evolution is a near perfect window into the evolving attitudes of communist Russia — as a Constructivist, Liubov believing that art should exist solely in service of the common society. Goncharova(1881-1962) as the dominant female artist in Russian art of the early 20th century, Lyubov Popova has been described by the art scholar Camilla Gray as the most outstanding painter - after Kasimir Malevich(1878-1935) and Vladimir Tatlin(1885-1953) - of … At the start of her career, this took the form of Futurist-style paintings showing movement through visual repetitions. [Internet]. Google apps Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. The full text of the article is here →, Ivanovskoe, near Moscow, Russian Federation, Artist Liubov Popova - Photo by Alexander Rodchenko, http://en.wikipedia.org/wiki/Lyubov_Popova, Production Clothing for Actor no.5' in Fernand Crommelynck's play 'The magnanimous Cuckold'. Lyubov Popova was extremely interested in dynamism, or, representing movement in art, a problem at the center of many artistic movements, and the focus of many individual artists' lives. The bright colors of the figures make them stand out from the grey of the background, with the dark blue of the woman's fan taking center stage. Lyubov Sergeyevna Popova was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Lyubov Popova was a radical multimedia artist and designer, who was an active Communist in the 1917 Russian Revolution and the years that followed. Popova was one of the first female pioneers in Cubo-Futurism. Pavel became a philosopher and the guardian of his sister's artistic legacy. See more ideas about suprematism, russian artists, artist. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger. Suprematism. At this time she also started to make textiles, theatre sets and design work, expanding the meaning and uses of art into broader society. (Unframed.) Biography A key figure in the Russian avant-garde movement (popular in the period between the Russian Revolution of 1917 and 1932), Liubov Popova’s experimentation in abstract painting produced some of Cubism ’s most innovative works. In this painting, she again combines influences to create an original and striking composition, here of vibrant objects crowding and pushing against the picture plane. What differentiates her work from Malevich, however, is her preoccupation with energetic movement. The following year she visited other ancient Russian cities, including St. Petersburg, to study icons. In 1923 the painter Liubov Popova began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow. Her father, Sergei Maximovich Popov, a successful textile merchant, and her mother, Lyubov Vasilievna Zubova, were both keen patrons of the arts and encouraged Popova's interest in art. All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. Later, she would design theatre sets that moved on huge cogs; paintings with warring colors that fought to escape the picture plane, and repetitive textiles suggesting optical illusions. Shop for popova art from the world's greatest living artists. See the renowned permanent collection and special exhibitions. Relief, 1915, Lyubov Popova She was born into a wealthy family so she started taking private art lessons at age 11 and developed herself very quickly. LACMA’s Acquisitions Group and Art Council members share a deep affinity for the… Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council 1917. Winter, 1977. Oil paint. Here the two figures of the title are constructed in sharp lines, with curving circles at their joints. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. See available works on paper, paintings, and prints and multiples for sale and learn about the artist. View Lyubov Popova’s 188 artworks on artnet. Autumn, 2010, By Natalia Adaskina / Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Lyubov Popova (Russian 1889-1924) on lower right corner. The result is this fractured scene depicted through multiple angles, typical of Cubist and Futurist works of the period. By Christina Lodder / See more ideas about Suprematism, Constructivism, Russian avant garde. (Da zdravstvuet diktatura proletariata!). Lyubov Popova was born in Ivanovskoe, a district on the outskirts of Moscow, to an affluent family in 1889. Painterly Architectonic. 1907 studies under Stanislav Zhukovsky at his studio. 1, No. Acrylic Glazing. Color is used as the iconic focus; the strong primary color at the center drawing the outer shapes together. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Popova died young, but in her short life had a prolific and varied career and demonstrated that art could have an important part in revolutionary politics and post-capitalist ideas. Lyubov Sergeyevna Popova was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Content compiled and written by Alexandra Banister-Fletcher, Edited and published by The Art Story Contributors, "Most important of all was the spirit of creative progress, of renewal and inquiry", "The past is for history. Familiar still life objects are scattered throughout the painting, as common in the work of Cubist artists Pablo Picasso and Georges Braque: the guitar, the fruit bowl, and the jug. In 1909 she traveled to Kiev, then in 1910 to Pskov and Novgorod. Lyubov Popova was a radical multimedia artist and designer, who was an active Communist in the 1917 Russian Revolution and the years that followed. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of Fernand Leger, whose geometry of tubular and conical forms in his series of paintings from 1913–1914 is similar to that in Popova's paintings. Choose your favorite popova designs and purchase them as wall art, home decor, phone cases, tote bags, and more! Constructivism. This paper looks at the development of her involvement with constructivism while also examining the relationship between her textile prints and the abstract language of her earlier paintings. Lyubov Sergeyevna Popova, (born April 24 [May 6, New Style], 1889, Ivanovskoye, Russian Empire—died May 25, 1924, Moscow, Russia, U.S.S.R.), one of the most distinctly individual artists of the Russian avant-garde, who excelled as a painter, graphic artist, theatrical set designer, textile designer, teacher, and art … 5, Russian/Soviet Theme Issue / View sold price and similar items: Liubov Popova (1889-1924) A 1922 Signed Theatrical Stage Set Design Painting in Gouache Paints on Paper. As a youngster she developed a keen interest in drawing and sketching, as well as a love of Italian Renaissance art. Unlike many of her contemporaries who wanted to free Russian painting from Western influences, Popova was an intentional internationalist, and this painting demonstrates a rigorous engagement with Cubism - the fragmentation, and multiplication of objects and figures; and Futurism - a dynamic expression of movement, energy, and technology with strong colors and lines. Autumn 1909 travels to Kiev; 1910 to Italy with her family, where she is impressed by the work o… In 1912 she worked in a Moscow studio known as "The Tower" with Ivan Aksenov and Vladimir Tatlin, and also visited Sergei Shchukin's collection of modern French paintings. Using the bright colors of Russian icon art, Popova adds a painterly dimension with the visible brushstrokes and white edges in the foremost shapes. ‘The Pianist’ was created in 1914 by Lyubov Popova in Cubism style. After returning to Russia that same year, she worked with Tatlin, Udaltsova and the Vesnin brothers. Lyubov Popova. This work was painted shortly after Popova returned from studying in Paris under Henri Le Fauconnier and Jean Metzinger at the Académie de la Palette. In Composition with Figures, Popova depicts feminine, but androgynous subjects brazenly inhabiting, and using the objects in the traditional Cubist still life; a figure leans on the guitar we recognize from her famous male contemporaries, and a fan moves in a hand of a figure crouched over the ubiquitous apple bowl. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy. Summer, 1987, By John E. Bowlt / She was born in 1889 near Moscow where she developed an interest in sketching and drawing. "Lyubov Popova Artist Overview and Analysis". Oil on canvas. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. Tate Papers, No. All Products Wall Art Home Decor Lifestyle Beach Phone Cases Apparel Stationery Totes & Pouches Originals Miscellaneous. The canvas feels busy and crowded, as though the shapes are intersecting and jostling to be at the front of the painting. All mounting is fully reversible, without any potential damage to the art. Product All. Always custom made on premium grade canvas by European artists. The angular forms of the triangle, rectangle, and semi-circle appear to continually rotate in space, giving the impression of energy and infinite movement. This series defined her distinct artistic trajectory in abstract form. In 1912–1913 she studied art with Nadezhda Udaltsova in Paris, where she met Alexander Archipenko and Ossip Zadkine in 1913. All popova artwork ships within 48 hours and includes a 30-day money-back guarantee. Like her Suprematist comrades in the revolution, she believed that art should reflect the industrial, egalitarian future, and this meant making work that echoed the geometry and efficiency of machines, as well as moving into a pure abstraction unfettered by elitist ideas of skill, or "natural talent", common to ideas of artistic genius. 1 - 72 of 96 popova paintings for sale. Department Wall Art. From 1914–1915 her Moscow home became the meeting-place for artists and writers. ©2021 The Art Story Foundation. x ideology (the need to organize) = our art". Lyubov Popova was one of the pioneering women artists in the early 20th century. Painting and Sculpture This work, from the Six Prints series, illustrates the anti-materialist philosophy advocated by the Suprematists, in which a relationship was made between the unimportance of material goods and objects and the uselessness of figurative or representational art. Liubov Popova was a leading figure in early 20th century abstract art. Performing Arts Journal, Vol. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. 1 2. 14 / Liubov Popova. See available works on paper, paintings, and prints and multiples for sale and learn about the artist. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. This work demonstrates the artist's move into purely nonrepresentational art, but is a precursor to the eventual uniform, repetitive, and machine-like style her work would take after the Russian Revolution of 1917. 14.1958. At the same time the elements are held in a balanced and proportioned whole as if linking the compositions of the classical past to the future. Keywords Title Artist Name Title + Artist Name Keyword + Artist Name Paintings. Painted in the year she joined Kazimir Malevich's Suprematist group, this work demonstrates how geometry and abstraction were becoming more significant in Popova's work. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Later in her career, she moved to complete abstraction and simplified geometric forms alongside her Suprematist comrades, who wanted to make art in keeping with the industrial zeal of the revolution, and to move away from illusionism and elitism. 10.5 x 13.5 in (26.7 x 34.3 cm). A key figure in the Russian avant-garde movement (popular in the period between the Russian Revolution of 1917 and 1932), Liubov Popova’s experimentation in abstract painting produced some of Cubism’s most innovative works. She put down her canvases and partnered with Moscow’s First State Textile Printing Works. It marks a further movement towards completely non-representational art. She grew up with a strong interest in art, especially Italian Renaissance painting. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. The books and articles below constitute a bibliography of the sources used in the writing of this page. Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian icons, the paintings of Giotto, and the works of the 15th- and 16th-century Italian painters which interested her the most. The Journal of Decorative and Propaganda Arts, Vol. The Suprematist group, now including Popova, exhibited in regular shows in St Petersburg and Moscow, published a journal, and taught in art schools. She also worked at a time when there were extremely few women artists respected by art institutions or schools, or even in the revolution. The crowded canvas is taken up with a series of overlapping squares and rectangles and a white background. We ourselves are creating our own hypotheses anew and only upon them, as in our inventions, can we build our new life and new world-view", "Revolution in art has always predicted the breaking of the old public consciousness and the appearance of a new order in life", "An analysis of the conception of the subject as distinguished from its representational significance lies at the basis of our approach toward reality", "In the absolute freedom of non-objectivity and under the precise dictation of its consciousness (which helps the expediency and necessity of the new artistic organization to manifest themselves), [the artist] is now constructing [his] own art, with total conviction", "(Form + color + texture + rhythm + material + etc.) In 1914–1916 Popova together with other avant-garde artists (Aleksandra Ekster, Nadezhda Udaltsova, Olga Rozanova) contributed to the two Knave of Diamonds exhibitions, in Petrograd Tramway V and the 0.10, The Store in Moscow. Liubov Popova K novom beregam muzykal'nogo iskusstva (Towards New Shores in the Art of Music), no. In the advent and aftermath of the Russian Revolution in 1917, artists were reconsidering the role of culture and how art could contribute to the building of a new post capitalist society. - From the beautiful Compostion, 1921, to the striking Painterly Architectonics, 1916-17 - handmade oil painting reproductions of all of Lyubov Popova's most popular paintings are available at 1st-Art-Gallery.com. Dec 14, 2015 - Russian avant-garde, Cubo-Futurism Suprematism Constructivism. Set design for the play Zemlia dybom (Earth in Turmoil) 1923 Once back in Russia, Popova's own reinterpretation of these styles focused on the geometry of Cubism and the dynamic energy of Futurism. The present and the future are for organizing life, for organizing what is both creative will and creative exigency", "We are breaking with the past, because we cannot accept its hypotheses. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Her painting The Violin of 1914 suggests the development from Cubism towards the "painterly architectonics" series of 1916–1918. Lyubov Sergeyevna Popova (Russian, April 24, 1889-May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. In 1914 she traveled in France and Italy at the development of Cubism and Futurism. from Odeon Arte on December 3, 0120 9:00 PM PST. In titling this series of paintings 'Painterly Architectonic Popova points to the most important and unique elements of this work - the painterly style, where thick paint is used and brushstrokes are visible, and the way she treats her painted lines, planes, and shapes as almost solid material objects. She also worked at a time when there were extremely few women artists respected by art institutions or schools, or even in the revolution. $14 . 1908-09 attends the art school of Konstantin Yuon and Ivan Dudin, meets Alexander Vesnin there. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. Through a synthesis of styles she worked towards what she termed painterly architectonics. Popova travelled Europe and brought a myriad of modern influences to Russian art, in particular Cubism and Futurism - movements focused on multiplicity in the service of showing several angles of an object simultaneously, and demonstrating movement. Jan 7, 2021 - Explore Kent Harrington's board "Lyubov popova", followed by 1809 people on Pinterest. Philip Johnson Fund. 1899 receives art lessons, paints since 11; graduates from the Arseniev Gymnasium. Next Filters Search Type Keywords. 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